“Absolutely Riveting.”
–Esquire Classic
“In-depth look at a complicated man.”
-The Daily Beast
“An honest and raw portrayal…”
-Town and Country
“Absolutely Riveting.”
–Esquire Classic
“In-depth look at a complicated man.”
-The Daily Beast
“An honest and raw portrayal…”
-Town and Country
Tim O’Brien has been called “the best American writer of his generation,” and America’s “poet laureate of war.” A Vietnam veteran, and National Book Award-winner, O’Brien is one of the great voices in modern American literature. The Library of Congress recently named his groundbreaking novel about the Vietnam War, The Things They Carried, one of the 65 most influential books in US history.
But O’Brien hasn’t put pen to paper in nearly two decades. He swore off making sentences when, at a late age, he had his first of two children. Plus, the nation was waging new wars in Afghanistan and Iraq that he couldn’t wrap his head around – wars that both reconfirmed and upended the notions of war, soldiers, and society that animated his books. Now, Tim O’Brien is trying to write again. He thinks the country is past due for a conversation about war’s impact. He thinks we’re running out of time. And, at age 70, that he is too.
What makes wars worth fighting? How do we write about war? What are the obligations of citizens with respect to war? What are the after-effects of war on individuals and families? The War and Peace of Tim O’Brien follows O’Brien on the journey of his last book, as he reveals the everyday ties between duty, art, family, and the trauma of war.
Tim O’Brien received the 1979 National Book Award for Going After Cacciato. Among his other books are The Things They Carried, Pulitzer Finalist, and a New York Times Book of the Century, and In the Lake of the Woods, winner of the James Fenimore Cooper Prize. He was awarded the Pritzker Literature Award for lifetime achievement in military writing in 2013, and the Dayton Literary Peace Prize, which honors writers whose work use the power of literature to foster peace, social justice, and global understanding.
Tim’s Books and Awards
If I Die in a Combat Zone, Box Me Up and Ship Me Home (1973)
Outstanding Book of the Year - New York Times
Northern Lights (1975)
Going After Cacciato (1978)
National Book Award Winner
The Nuclear Age (1985)
The Things They Carried (1990)
Finalist for the Pulitzer Prize, and National Book Critics Circle Award, France's "Prix du Meilleur Livre Etranger," New York Times Book of the Century
In the Lake of the Woods (1994)
James Fennimore Cooper Prize for Best Historical Fiction
Tomcat in Love (1998)
July, July (2002)[15]
Dad's Maybe Book (2019)
In 2015, I directed a film for PBS called The Draft, about the history of military conscription in the United States. Making that film, I realized how little attention Americans paid to war. I also realized how little I had thought about war. Like many Americans I’d been living in a social and political bubble, numb to the many years of war in Iraq and Afghanistan.
I interviewed over 50 individuals for The Draft, from soldiers, to acclaimed historians and activists. But it was the interview with Tim O’Brien that made me feel as if the ground had shifted beneath my feet. About halfway through our talk, I figured out what millions of Americans already knew from reading his books and attending his public talks for decades – that Tim O’Brien is the guide to answering our deepest and most persistent questions about the meaning of war.
A few weeks after interviewing Tim, I presented him with the idea of the documentary. He was a bit reluctant, but agreed to go forward on a “we’ll see what happens” basis. Then, he invited me into his home and personal life, and the more I hung around with the private O’Brien, the more I understood Tim O’Brien is much more than our moral gyroscope on war. Witnessing an artist and father at home, I saw that he is a dogged truth teller, an inveterate scab picker, an eloquent confessor. I saw how his rigorous soul searching prodded me to examine my own self. And I saw how O’Brien could shed light on the wars we all fight.
O’Brien has said: “You don't have to be in Nam to be in Nam,” and through O’Brien’s personal struggles, I wanted to make a film that explores the many ways we wage war – around the world, at home, and in our own minds. I wanted to share what O’Brien was teaching me –that our struggles are worth paying attention to. That we should give a damn. That to live is to care about your struggles and that the struggle never ends.
-Aaron Matthews
Director, Producer, Cinematographer, Editor: Aaron Matthews
Aaron Matthews is an award-winning documentary filmmaker whose films have appeared on national and international television, and at over fifty film festivals around the world. His documentaries include, The Paper, A Panther in Africa, and My American Girls, all broadcast on PBS’s flagship documentary series POV, or Independent Lens. He has been a Sundance Fellow and has received funding from The Sundance Institute, The Independent Television Service, The New York State Council on the Arts, The Jerome Foundation, The Brooklyn Arts Council, The Puffin Foundation, and Latino Public Broadcasting. Aaron Matthews holds a degree in English literature from Wesleyan University, and lives in Brooklyn.
Supervising Editor: Richard Hankin
Richard Hankin is an award-winning documentary filmmaker and editor. He's worked on films for both theatrical distribution and for HBO, NBC, ABC, PBS, Showtime and Netflix. His credits include Capturing the Friedmans, God Loves Uganda and The Jinx: The Life and Deaths of Robert Durst. Hankin has won Emmy awards for his editing, and has served as a Creative Advisor for the Sundance Institute Documentary Editing and Story Lab. He is on the faculty of the School of Visual Arts Social Documentary Film program, and is a member of the Academy of Motion Picture Arts and Sciences.
Co-Producer: Jennifer Mittelstadt
Jennifer Mittelstadt is Professor of History at Rutgers University, where she specializes in the history of politics, the state, gender and the military. She is the author of three books, From Welfare to Workfare, Welfare in the United States, and The Rise of the Military Welfare State. She has served as a fellow at the Woodrow Wilson International Center for Scholars, a Distinguished Lecturer for the Organization of American Historians, and as the Harold K. Johnson Chair in Military History at the US Army War College. In addition to her scholarly background, Mittelstadt brings extensive experience in the production of films and videos, co-producing Matthews' three previous films, The Paper, A Panther in Africa, and My American Girls.
Editorial Consultants:
Christian Appy
Alan Berliner
Anthony Giacchino
Sarah Koenig
Meredith Lair
Louis Masur
Patrick Phillips
John Whitlock
Adam Zucker